In a writing mode, however, these VSTi instruments become very useful in terms of creating essential parts of a composition (which can be performed LIVE - one would just record and convert MIDI to standard notation/lead sheets and bring in human players who can either read or are talented enough to pick up the stuff by ear). It’s not only about ‘what’s there’ - but also ‘what’s not there’ in the details of a performance where a VSTi is used. In terms of true artistic virtuosity (which I don’t have) it’s relatively easy to hear the ‘anomalies’ whenever any VSTi instruments are used (not excluding MIDI/sequenced parts where drums, bass, guitar, piano, et al ‘real instruments’) especially when an artist possesses a close relationship and real world chops and familiarity of a particular instrument over the years). The trumpet sounds much better and could be mistaken for the real deal! I also checked out the tenor sax they make, but it sounds fake to me.
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